My (Computer’s) Wallace Stevens: A Cento.”Įeckhout, Bart. “A Conversation That Took the Place, Provisionally, of a Poem.” The Bogliasco Seminars II Experimental Transformations. “By Way of Bewilderment: Emerson’s and Stevens’s Sound Effects.” “Mythologies of Miswriting: Emerson, Stevens, and Blanchot.”Ĭase, Kristen. “How Stevens Read His Emerson: Marginalia and the Spirit of the Age.” “Wallace Stevens Held Fast in Common Earth.” “Apothegms of Connecticut, and: Sea Surface Full of Clouds.”īaxter, Rob. “Continual Conversation with a Silent Man or Waiting for Stevens.” “Word Frequencies and Zero Zones: Wallace Stevens’s Rock, Susan Howe’s Quarry.”īacigalupo, Massimo. “‘A poem is a letter’: Stevens, Thomas McGreevy, and Susan Howe.” “Stevens and the Publishers: What the Huntington Correspondence Reveals.”
“A Paternal Interest in Bears: The Stevens Family Christmas of 1935.” “Stevens’s Epistolary Surrogates.”īates, Milton J. “Letters’ Other Side: The Archive as a Fate of Rereading.” “Sincerely Yours, Wallace Stevens.”įilreis, Al.
Special Issue: Stevens’s Letters, Part OneĮeckhout, Bart, and Lisa Goldfarb. “The Submerged Adagia: Stevens’s Aphoristic Writing in The Contemplated Spouse and Secretaries of the Moon.” “‘Aesthetics, Poetry, Art, or Blondes’: Why Stevens’s Letters Don’t Theorize Rhythm.”Įeckhout, Bart. “Stevens’s Late Letters as Addresses to Posterity.” “Stevens’s Letters and the Sense of Place.”Īltieri, Charles. “Reading and Listening to Stevens’s Letters: “The delicatest ear of the mind’.”Ĭostello, Bonnie. “Poetics, Genre, and Style in Stevens’s Letters.” Guest Editors: Bart Eeckhout and Lisa GoldfarbĮeckhout, Bart, and Lisa Goldfarb. Special Issue: Stevens’s Letters, Part Two
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